Day: November 7, 2025

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BlockchainFX ($BFX) Joins Solana, and Ethereum on Top Analysts’ Lists

The post BlockchainFX a new project combining crypto trading with global finance and paying daily rewards to its holders. Ethereum and Solana remain reliable plays. Yet even their boldest forecasts estimate only about a 2x gain from current levels. After rallying hard over the last year, their room for explosive growth is smaller. That’s why attention is shifting to BlockchainFX a fresh entry with real utility, strong numbers, and a presale that’s already drawing in serious investors. Built as the first “crypto trading super app,” BlockchainFX connects crypto, stocks, forex, and commodities in one place, rewarding users every day in BFX and USDT. Analysts say it ticks all the boxes to become the next major name in crypto and this presale could be the last chance to get in before everyone else does. Solana and Ethereum: Strong but Slowing Ethereum trades near $4,000 and Solana around $194, both locked in tight ranges after long rallies. The pause suggests traders are waiting for a breakout in either direction. Ethereum remains the leading platform for DeFi and smart contracts. Solana continues to dominate on speed and cost, hosting many NFT and meme coin projects. Their ETF approvals have boosted both confidence and institutional interest. However, as analyst ‘CRG’ pointed out for both cryptos: “We’re still just trading within last week’s range. Doubling from here would be big, but the biggest gains are likely behind them. Traders are turning to projects with fresh utility and early entry potential like BlockchainFX. Meet BlockchainFX: The Super App Traders Have Been Waiting For BlockchainFX was.

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BusinessEntertainmentlaw

Amol Palekar’s decade-long battle for artistic freedom nears closure as Bombay HC sets final hearing on December 5, 2025

After nearly a decade of pending legal proceedings, the Bombay High Court will finally hear actor-director Amol Palekar’s long-standing petition challenging the mandatory pre-censorship of stage plays and performances. The petition is slated for final hearing on December 5 before a bench comprising Justices Riyaz Chagla and Farhan Dubash. Palekar, now 80 years old, seeks protection of artistic freedom, arguing against the existing requirement under the Bombay Police Act that imposes prior scrutiny of scripts and mandatory certification from the Maharashtra State Performance Scrutiny Board before any play or public performance can be staged. His counsel, Anil Anturkar, told the court, “The petitioner is 85 years old now and wants an outcome, be it positive or negative.” Anturkar emphasized the importance of artistic freedom in the contemporary digital era, pointing out that “there is no censorship of shows and series on OTT platforms,” questioning the logic of continuing the mandatory censorship regime for live performances. The petition specifically contests rules framed under Section 33(1)(wa) of the Bombay Police Act, which authorize police commissioners or superintendents to regulate “places of public amusement” and performances, including traditional tamashas and melas, requiring script scrutiny to safeguard “public order, decency, or morality.”Amol Palekar’s petition argues that such pre-censorship amounts to an unconstitutional curtailment of artistic freedom, stating, “This pre-censorship leads to curtailment of artistic freedom. Because of this, many historic plays have not been performed in their original form.”The Bombay High Court had admitted the plea in 2017 but long delayed its hearing on the merits. The upcoming session on December 5 is expected to bring closure to this critical issue affecting artists and cultural institutions. This case is being closely watched across the theatre community and arts organizations, as a ruling in favor of Palekar could pave the way for greater freedom and creativity in live stage performances in Maharashtra and potentially across India. Also Read: EXCLUSIVE: Shekhar Suman reveals that his film with Parineeti Chopra, Adil Hussain, Amol Palekar titled Reporting Live; Shekhar also states, “If Utsav is remade, Adhyayan should be cast for my role”.

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BusinesscomedyEntertainment

EXCLUSIVE: Akshay Kumar–Anees Bazmee reunite for madcap love triangle – a reimagined Sankranthiki Vasthunam; to go on floors in February 2026

Anees Bazmee and Akshay Kumar are reuniting after tasting success together in films like Welcome and Singh Is Kinng. And now, our reliable sources have confirmed that Akshay Kumar and Anees Bazmee’s next is a reimagined version of Venkatesh-led Sankranthiki Vasthunam. The film will be produced by Dil Raju and is touted to be an out-and-out comic entertainer. A source informed Bollywood Hungama, “Anees and Akshay loved the plot of the lead character stuck between his wife and ex-girlfriend that Sankranthiki Vasthunam rides on. However, the original had a lot of Telugu flavour. To make the film palatable for the Hindi audience, Anees Bazmee is reimagining the film, keeping the core plot intact.”The source further told Bollywood Hungama, “Anees is a master of cracking new screenplays based on already established films, and this one too will not just be bigger than the original, but also funnier, as he plans to put together a lot of gags in the narrative, which were not present in the original film. Over the three decades, Bazmee has written several love triangles in the comic space, and this one falls in his zone of situational comedy.”The writing work is going on in full swing, and the makers are aiming to take the untitled film on floors in February 2026. The film is not a remake, but a reimagined take on the original film, as the screenplay will be packaged with new scenes. “It’s 60 per cent of fresh sequences, and just 40 per cent original to keep the essence of the plot intact.”Also Read: Akshay Kumar and Disha Patani wrap up ‘Welcome to the Jungle’ song shoot in Dubai.

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