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EXPLOSIVE: Kanu Behl on multiplexes denying shows to Agra: “We are NOT asking for 1000 screens; we are only asking for 100 good screens…has the rot set so deep that no one just cares anymore? Is it all about Rs. 1000 crores or Rs. 5000 crores?”

It’s common to hear about independent and niche films not getting the desired shows in cinemas nowadays. Some filmmakers are too apprehensive to raise their voice. But Kanu Behl decided not to take things lying down. On Thursday, November 13, he posted on his X (formerly Twitter) account that his film Agra has been denied shows due to so-called ‘big blockbusters’ and because the small films don’t fit into multiplex programming. On the morning of November 14, the day Agra released, he uploaded a screenshot of the number of shows secured by his film in Mumbai. His film was played in just 3 cinemas with 4 shows. Kanu’s caption for this picture was ‘slow claps’. After he raised his voice, many from the industry like Manoj Bajpayee, Saiyami Kher, Sudhir Mishra etc came out in support. On November 15, after Kanu’s relentless fight, Agra is now playing in 9 cinemas in Mumbai. But the battle is far from over. In the evening of November 14, Bollywood Hungama exclusively spoke to Kanu to further understand the issue. When asked when he realized that Agra is being denied shows, he said, “I was a part of this conversation in peripheral ways since I am the director. I didn’t know upfront. 2 weeks back, we got the initial list of about 100 screens, out of which 9 belonged to PVR Inox. It was quite less. I insisted that we need to start cracking better cinemas. But the process got delayed and we didn’t hear anything. On Thursday night, I was told that shows nahin mil raha hai as all the shows were given to the bigger films. I don’t want to take names; I am not against any film. What we heard eventually was that we were not getting the shows. That’s when I started talking about it.” Agra has been distributed by Mantra Luminosity. Did Kanu Behl try to reach out to the theatres directly? Kanu replied, “I didn’t have direct communication with them. I only heard through my team. Generally, what we heard is that ‘A film like Agra doesn’t fit into our programming’ and ‘There’s a bigger film out there and everybody is going out for it’. But my point is that we are a country of 5000-6000 screens. We are not asking for 1000 screens or even 500 screens. We are only asking for 100 good screens. Why can’t we get 100 good screens that are accessible and are at a convenient time so that people can sample the film? If they like it, then the word of mouth will spread. Hence, we are not making an exorbitant ask.”Did the social media posts of Kanu Behl help in any way? After all, the fact that it got 9 shows in Mumbai on Saturday was thanks to his tweets. Or else, the number of shows might have reduced further on Saturday. Kanu explained, “Yes, but even if you notice, there are no shows in big chains yet. We are now trying to add as many shows as possible. But this whole thing about the big chains having a monopoly is a real issue. It doesn’t concern only me or my film Agra. It is an issue of the independent filmmaking community at large.”Kanu Behl said that he would continue to make efforts to get justice, “We are going to keep fighting. It’s time to talk and start this conversation. This keeps happening again and again in every film. If you remember, even All We Imagine As Light suffered the same problem. The same thing happened to Homebound, maybe to a lesser extent, because Dharma was involved. But every time an independent film was released, whether Sabar Bonda or Jugnuma, this happens. Until now, everyone was talking individually. Now, all of us independent filmmakers are coming together, and we are going to raise our voices collectively.”A few netizens asked Kanu Behl on X to release Agra directly on OTT. Kanu told them that a mafia exists even in that space. When asked if the OTT rights have been sold, Kanu Behl replied, “The rights have not been sold. But my question is, why not theatres? Why should my film also go directly into the black hole called OTT? A film of this sort just gets dumped on a streaming platform without any promotion. Do people even know that those films exist? Has the decay of our culture gotten so bad and has the rot set so deep that no one just cares anymore? Is it all about Rs. 100 crores or Rs. 1000 crores or Rs. 5000 crores? When we are on our deathbed, will we remember the amount of money we earned or the quality of lives we lived and the people that matter to us? When will this shameless capitalist consumerist activity stop? When will we put an end to it?”Also Read: Kanu Behl urges audience to speak up as Agra struggles for shows amid ‘big blockbuster’ dominance.

Businesseconomyfinance

U.S. Job Market Faces Challenges Amid Market Concerns

The post U. S. Job Market Faces Challenges Amid Market Concerns appeared com. Key Points: Job market concerns amid alleged payroll decline; focus shifts to broader market. Goldman Sachs report triggers mixed reactions; absence of primary source confirmation. Crypto markets emphasize trading trends over unverified macroeconomic data. BlockBeats News reports on November 11th that Goldman Sachs estimated a decline of 50, 000 in US non-farm payrolls in October, although no primary sources confirm these figures. This unverified report raises concerns about labor market weakness, but official crypto discussions focus on market cycles and trading strategies instead of employment data. Unverified Payroll Report Prompts Market Skepticism The reported estimate from Goldman Sachs about a 50, 000 drop in U. S. non-farm payrolls for October lacks confirmation from primary sources. No statements from official channels or corroboration from major market players have surfaced. Key players, including the U. S. administration, have not commented on the alleged “delayed departure plan.” Market impact appears limited, as focus remains on cryptocurrency trends such as “No Sell November.” Institutional attention is directed towards impending Federal Reserve interest rate decisions rather than unverified labor data. Reactions from industry analysts stress that the crypto market’s short-term movements remain largely unaffected by rumored labor statistics. Michael Nadeau of The DeFi Report emphasized a cautious macro outlook, reinforcing calls for an economic “detox.” Crypto Market Shifts Focus Amid Economic Uncertainty Did you know? Discrepancies in economic reporting can sometimes lead to volatility in markets; however, in this case, crypto market trends have largely ignored the non-verified data concerning U. S. employment. Bitcoin (BTC) remains a focus in the crypto market, currently priced at $102,980. 48 with a market cap of $2. 05 trillion, as reported by CoinMarketCap. Over the last 90 days, BTC prices have dipped by 16. 34%, reflecting broader trading patterns rather than specific U. S. labor reports. Bitcoin(BTC), daily chart, screenshot on CoinMarketCap at 22: 36 UTC on November 11,.

Business

Is Sajid Khan’s John Abraham-Riteish Deshmukh starrer 100% gearing up for revival? New public notice sparks speculation about long-delayed comedy

A public notice published on November 7, 2025, in Komal Nahta’s Film Information has confirmed that Jai Ho Media LLP has officially acquired the exclusive, perpetual, and worldwide rights to the upcoming Hindi film 100%, starring John Abraham, Riteish Deshmukh, and others. The film is directed by Sajid Khan and written by Aakash Kaushik, Madhur Sharma, and Rohan Shankar. The acquisition covers an extensive range of rights, making Jai Ho Media LLP the sole owner of the film’s global intellectual property. According to the notice issued through ANM Global Inc., Advocates & Solicitors, the deal grants Jai Ho Media LLP ownership over all Intellectual Property Rights and underlying works related to the film. This includes the right to make sequels, remakes, spin-offs, or any other derivative projects based on the film. The notice also specifies the inclusion of Linear Broadcast Rights (covering TV, satellite, cable, DTH, IPTV, and other transmission mediums) and Non-Linear Video-on-Demand Rights (such as AVOD, SVOD, TVOD, and digital streaming formats). Beyond screen exhibition, the company now holds transport and commercial rights for air, ship, railways, and hotels, as well as music, dubbing, and subtitling rights across all global languages. It also covers syndication, background scores, lyrics, and ancillary or residual rights that may arise through any future technological formats or platforms, essentially securing complete control over every possible mode of distribution and exploitation worldwide. The notice further invites any person or entity claiming ownership or rights to the film to come forward with documented proof within 15 days of publication. After this stipulated period, no claims will be entertained, ensuring that Jai Ho Media LLP proceeds with an unchallenged title over the film’s rights. With this acquisition, Jai Ho Media LLP now fully controls the commercial, creative, and digital exploitation of 100% “throughout the territory of the whole world, universe, [and] planets including India,” as humorously worded in the notice. The formal declaration reinforces the studio’s legal position ahead of the film’s release and eliminates any potential disputes surrounding ownership or revenue sharing. Interestingly, 100% was formally announced on August 29, 2022, and was planned for a Diwali 2023 release. This was a time when 100% was to star John Abraham, Riteish Deshmukh, Nora Fatehi and Shehnaaz Gill. As pe the 2022 announcement video, the comic caper was to be produced by Bhushan Kumar and Krishan Kumar of T-Series and Amar Butala of GBA Media. Amar Butala also owns Jai Ho Media LLP and hence, he has taken over the film as the sole producer. In the past, Amar Butala has produced Sidharth Malhotra-Rashmika Mandanna starrer Mission Majnu (2023) and also served as the co-producer of Bajrangi Bhaijaan (2015), Hero (2015), Tubelight (2017), Love Sonia (2018), Total Dhamaal (2019), Kesari (2019) and Mission Mangal (2019). He was also set to produce a film named Bull, based on Operation Cactus of 1988. However, the Shahid Kapoor-starrer was shelved. The public notice mentions that 100%’s ‘current star cast’ comprises John Abraham, Riteish Deshmukh and others. It now remains to be seen whether 100% will proceed with the same cast or undergo changes before it goes on floors. The project’s next steps, including its revised production timeline, are expected to be announced soon. When contacted by Bollywood Hungama, both Amar Butala and Sajid Khan were unavailable for commentAlso Read: Sajid Khan set to launch Govinda’s son Yashvardhan Ahuja with his directorial comeback after 7 years.

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