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Trump Media Loss Deepens as Crypto Gains Cushion Blow

The post Trump Media Loss Deepens as Crypto Gains Cushicom. Trump Media posted a $54. 8 million Q3 loss despite gains from crypto assets. The firm holds 11, 542 Bitcoin worth about $1. 3 billion and 746 million Cronos tokens. Trump Media and Technology Group reported accumulating losses in the third quarter, despite the cryptocurrency investments yielding certain positive returns. The mother company of Truth Social reported a net loss of $54. 8 million, which is almost three times the loss of $19. 3 million in the same period last year. The revenue has been reduced to $972,900 compared to more than one million dollars earlier, which reflects operational issues despite the ambitious acquisition of digital assets. Cryptocurrency Holdings Show Mixed Results By the end of September, the company had amassed 11, 542 Bitcoin, which was worth about $1. 3 billion at the time of the market prices. The trading of Bitcoin-related options generated realized income of $15. 3 million, which is a relief given the broader operational losses. Also, Trump Media owns more than 746 million Cronos tokens, which earned it $33 million unrealized gains as the blockchain asset was trading at around $0. 18. The company management is still positive regarding expansion strategies, and its CEO, Devin Nunes, states that the presence of cryptocurrency holdings has guaranteed the financial stability of the organization. Trump Media acquired companies with high capital of $1. 5 billion in stock sales and $1 billion in convertible bonds. Its Bitcoin buying program was introduced in May after the company had planned the move earlier in the year. Trump Media Group’s CRO Strategy was a partnership with Crypto. Com that aimed to purchase up to $1 billion of Cronos tokens, which is equivalent to more than 6. 3 trillion units. The management emphasized two quarters of positive operating cash flow and digital asset income as a way of positioning to make possible acquisitions. Investor sentiment is.

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Aamir Khan-Rajkumar Santoshi’s Lahore 1947 to finally release with a changed title? The director says, “I am not in favour of this kind of appeasement”

What is happening with the ambitious Rajkumar Santoshi historical Lahore 1947? Multiple release dates for Santoshi’s film, an adaptation of Asghar Wajahat’s play Jis Lahore Nai Dekhya O Jamyai Ni, have been announced. Aamir Khan, who produces the film, told this writer that he wanted to release Lahore 1947 after Sitaare Zameen Par. That too has come and gone. The latest on Lahore 1947 is that it will release with a new title, as we really can’t have an Indian film with the title taken from a city of Pakistan. Not in the present day political scenario. Now, speaking exclusively to this writer, Santoshi said, “You have to ask my producer Aamir Khan when Lahore 1947 is releasing. As for changing the title, I am totally against it. Of course, it is the producer’s call. But I am not in favour of this kind of appeasement. I’ve waited for almost twenty years to make this film. You could call it my dream project. What is meant to be is meant to be. I was destined to make it with Sunny (Deol). And he is perfect in his part. He brings an arresting fusion of the classic and contemporary to the screen. My past films with Sunny, Ghayal and Ghatak, have been landmarks in his career, and mine too. And now I am confident Lahore 1947 will have the same impact.”Santoshi also got to work with Shabana for the first time. “She has stunned audiences for fifty years. Just when we think there is nothing more for her to do, she comes up with another career-defining performance in Lahore 1947. Believe me, there won’t be a dry eye in the audience after watching her in my film. She is in many ways the central character of the film. And she had all of us enthralled. Not just as an actress but a human being. I can’t wait to work with her again.”Also Read: Will Aamir Khan now release Rajkumar Santoshi’s Indo-Pak partition film Lahore 1947?.

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Wingtech jumps 6% as China signals easing in Nexperia export dispute

The post Wingtech jumps 6% as China signals easing com. Wingtech Technology’s stock rallied again on Monday in Shanghai, surging by as much as 6. 4%, according to LSEG data, after Beijing agreed to hold more talks with a Dutch delegation regarding the ongoing dispute around Nexperia. This rally follows a late spike of 9. 7% on Friday, which hit in the final minutes of trading when signs appeared that the standoff was starting to cool. The dispute started when the Dutch government seized control of Nexperia on September 30, citing national security concerns and claiming the company could move technology and operations to China, since Wingtech is the parent company. In response, Beijing blocked exports of certain components made in Nexperia’s Chinese facility, leaving carmakers worried. But then the Chinese Commerce Ministry said on Sunday that it had started allowing shipments of some chips produced at Nexperia’s China facility, while also calling on the European Union to pressure the Dutch government to lift its restrictions on the company. The ministry said the situation must move toward resolution and asked the EU to play a role in reducing tension and keeping supply chains stable, as was reported by Cryptopolitan. Beijing agrees to host Dutch officials for further talks China’s statement said Beijing expects the Dutch side to bring “constructive solutions” and take “concrete actions” so the dispute can be resolved soon. This response came after Dutch Economic Affairs Minister Vincent Karremans said on Thursday that chips made by Nexperia would start reaching customers in Europe and beyond within days. He pointed to the “constructive nature of our talks with the Chinese authorities” and linked the progress to cooperation between China, the United States, and the European Commission. According to Karremans, both China and the U. S. had told the Netherlands that the recent trade agreement they reached would allow the restart of shipments.

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Altcoins Surge As Bitcoin Regains Momentum! Experts Call Remittix “The Best Crypto To Buy Right Now”

The post Altcoins Surge As Bitcoin Regains Momentum! Experts Call Remittix “The Best Crypto To Buy Right Now” appeared com. Bitcoin is climbing back from the October sell off and risk appetite is returning. Each time the leading coin steadies near six figures, capital starts hunting the next big mover. In many of those conversations, analysts are already hinting that investors who ignore one name now may regret it later, a cross border payments DeFi project called Remittix. Bitcoin Momentum Returns In A Shaky Market Bitcoin has bounced from lows near $98,500 and now trades around $101,000, trimming a monthly drop of more than 15%. Even after that pullback, year to date gains sit close to 50%, helped by steady demand from spot Bitcoin ETF products and new listings on venues such as the ASX. Traders are watching $98,500 as support and $109,000 as the barrier that could open a path toward the mid $110,000 region if broken, a zone where a firm Bitcoin price often frees capital to rotate into high conviction altcoins. As Bitcoin steadies, select altcoins are trying to push higher. Solana trades near $160 and despite a recent 12% pullback, remains one of the most watched low gas fee crypto networks thanks to strong throughput and the first Solana ETF products in the United States. Why Experts Call Remittix The Best Crypto To Buy Now Against this backdrop, Remittix is the project that many analysts say they would least want to be late on. It is a payment-driven DeFi project that aims to let users send crypto directly into real bank accounts in over 30 countries through one simple stack, giving RTX a role every time money crosses borders rather than only when traders speculate. The numbers behind that plan already look like a warning sign for anyone waiting on the sidelines. More than 684 million RTX tokens have been acquired and the project has raised.

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Aneet Padda to begin Shakti Shalini shoot soon after final-year exams in December and January

Saiyaara star Aneet Padda, who is regarded as the biggest Gen Z face of our country after delivering the all-time highest-grossing love story in the history of Indian cinema, is set to give her college final year exams in December and January! A source informs, “It is incredible that Aneet Padda is so young, and she has become such a massive success story in our country. The Gen Z face of India is set to give her college final year exams in December and January before she starts shooting for her next, Dinesh Vijan’s Shakti Shalini, a film that she is headlining.”The informer adds, “Aneet is currently studying for her final-year examinations. She is pursuing a B. A. (Hons.) in Political Science and is neck deep balancing work and studies. Her schedule is being managed perfectly so that she can give ample time to her studies while finishing what is absolutely priority at the work front.”Saiyaara marked Aneet’s big-screen debut as the YRF heroine. The film, which also starred Ahaan Panday in the lead, made history with its box-office success, emerging as the biggest launchpad for any newcomer since Kaho Na Pyaar Hai which released 25 years ago! Such was the impact of Aneet’s performance that she was handpicked by Dinesh Vijan for his blockbuster Maddock Horror Comedy Universe’s (MHCU) project, Shakti Shalini. Aneet is the youngest actor ever to headline a franchise in Indian cinema, having signed the film when she was just 22. Shakti Shalini is scheduled to release on December 24, 2026, which has again made Aneet go down in history books as the youngest actor ever to have a Holiday release that only sees the biggest superstars of our country arrive in cinemas! Also Read: Amar Kaushik clarifies rumours about Aneet Padda replacing Kiara Advani in Maddock’s next horror comedy Shakti Shalini.

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Berkwits ’29: The Deterrent Act is more about power than transparency

On March 27, the U. S. House of Representatives passed the Deterrent Act. As it awaits a Senate vote, Brown is continuing its yearslong fight against the piece of legislation. The Deterrent Act is purported to improve research security and reduce foreign malign influence on universities. In reality, however, the bill would function as another federal overreach on institutions of higher education rather than an effective measure for upholding academic freedom. Under Section 117 of the Higher Education Act of 1965, universities are required to disclose foreign donations of $250,000 or more. The Deterrent Act seeks to decrease that gift threshold to $50,000, forcing academic institutions to report all foreign contributions that exceed the new minimum value, to the U. S. Department of Education. In addition, a gift of any dollar amount from a “foreign country (or entity) of concern” must also be disclosed. Finally, the Act lays out additional guidelines in regards to gifts or contracts between individuals faculty and staff and foreign sources. These legislative revisions are ostensibly done in an effort to minimize the influence of foreign political ideologies on American campuses. However, the framework for these disclosures already exists in previous laws, thus “duplicat(ing) existing interagency efforts.” As expressed by the American Council on Education in a letter to Congress, foreign gift reporting is already mandated “under NSPM-33, the CHIPS and Science Act and numerous National Defense Authorization Act provisions.” It is superfluous to increase administrative burden, especially when the bureaucracy of the Department of Education is already getting gutted. Rather than inventing a new mechanism for reducing ideological influence, the Deterrent Act functions as a demonstration of strength for President Trump another method to make universities submit to his will. The Act, which was crafted by House Republicans and has received bipartisan support, may not have been created with the sole intent of serving Trump’s higher education agenda. Still, its language aligns with the rhetoric of Trump’s subsequent executive order entitled “Transparency Regarding Foreign Influence at American Universities.” In practice, if the Act passes, it will serve as a tool for the Trump administration to continue to tighten its control of academia. From federal land grants in the 1800s, to work-study during the Great Depression, to the GI Bill, the federal government has played a longstanding and crucial role in universities. The ratification of the Higher Education Act cemented the relationship in 1965 and has since resulted in the federal government’s involved financial support through programs such as the FAFSA and Pell Grants. All this is to say, an exchange of influence and funds between universities and the federal government is not a new phenomenon. However, in the past year, this relationship has been redefined, demonstrated by the significant federal cuts to university research funding and a freeze of grant funding to specific universities, including Brown. These events have instituted a new power dynamic between both parties one in which the president uses federal funding as political leverage. The Trump administration and advocates claim they are trying to halt ideological influence with the Deterrent Act, and yet this piece of legislation is just another political ploy to further their own ideological battle. And, despite the nefarious nature of foreign influence the act clearly suggests, Trump pays no heed when it is to his benefit. Whether it is a portrait from Russian President Vladimir Putin, a jet from Qatar, many golf clubs from Japan or Russian elites investing nearly $100 million in his buildings, Trump is no stranger to a foreign gift. Additionally, according to Citizens for Responsibility and Ethics in Washington, Trump, or his companies, received $13. 6 million from foreign payments during his first term. Foreign gifts infiltrate the White House, so why is higher education where the line is drawn? It is true that financial “transparency, accountability and clarity” are both necessary, and oftentimes lacking, at universities. If foreign governments, of any sort, are infiltrating American institutions to further their own political agenda for example the “U. S. based researchers. arrested for illegally collaborating with China” the alarms of academic independence should sound. However, this act does not make significant strides towards securing our academic freedom. Instead, it deepens the federal government’s encroachment. I urge the Brown community to think back to the “Compact for Academic Excellence in Higher Education” offered by the federal government last month. Rejecting the compact, a choice largely praised by the Brown community, was a step towards academic integrity and freedom. These are the steps we must continue to take. Steps of autonomy and independence. Universities are reliant on external actors to run, but that does not mean we should be indebted to them. Despite its longstanding history, as a university, we should ensure that no gifts we take come with strings. The issue isn’t foreign gifts; it is extrinsic influence both domestic and abroad. Talia Berkwits ’29 can be reached at talia_berkwits@brown. edu. Please send responses to this column to letters@browndailyherald. com and other opinions to opinions@browndailyherald. com.

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Kartik Aaryan makes a strategic move — bids adieu to Collective Artists Network, joins Dharma Cornerstone Agency

Kartik Aaryan has made a pivotal industry move-he’s officially parted ways with long-time manager team Collective Artists Network (CAN) and has inked a new charter with power-players Dharma Cornerstone Agency (DCA), founded by Karan Johar and Rajeev Masand, as per a report by Exchange4Media. This shift comes at a key moment, signalling a fresh beginning as the actor gears up for an ambitious 2026 slate. The transition follows the much-publicised fallout at the International Film Festival of India (IFFI) in Goa last year. Back then, Kartik’s session to promote his film was abruptly cancelled after his former team’s reported list of demands-10 extra tickets, two luxury suites, additional five-star accommodations-clashed with festival organisers. This sparked industry chatter about the role of management in star reputations. Now, aligning with DCA-an agency boasting over 200 talents across film, music and digital-is a strategic upgrade. The roster includes heavyweights like Janhvi Kapoor, Tiger Shroff, Sara Ali Khan, Ananya Panday and more in the Bollywood arena; beyond that, the agency represents music artistes and digital creators too. For Kartik, this means fresh access to premium brand deals, multi-platform ventures, and an enhanced image engine. Interestingly, this move also signals a reconciliation with the “Dharma circle.” Though earlier whispers suggested friction between Aaryan and Karan Johar-at one point the actor missed out on a major Johar-backed casting-this new partnership signals a fresh chapter and perhaps a reset of alliances. What does this mean for the future? A lot. Kartik’s 2026 line-up already looks punchy: Tu Meri Main Tera Main Tera Tu Meri with Ananya Panday, the supernatural thriller Naagzilla (slated August 14, 2026) alongside the much-anticipated romantic film with Anurag Basu, which also stars Sreeleela. With DCA’s machinery in place, he’s now geared not just for box-office punch but also for image elevation, endorsements, digital footprint expansion-and perhaps the move into the league of A-list superstars. Also Read: Pratibha Ranta not a part of Kartik Aaryan’s Naagzilla; confirms source.

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